Kim McCarthy a.k.a. SOULE is one of the most prolific member artist on Brooklyn Art Project.  She is based in Seattle, WA and has exhibited her work at the early age of 16.  This past year, this artist executed 14 paintings in one day.  Originally her canvas were facades of buildings on the streets of Spokane and Seattle, her medium ranged from stencils, wheat pastes, stickers and spray paint.  She currently focuses her hand to create work on stretched canvas and wood panels, as well as legal walls.   She has an affinity for photography and paper cutouts.  This dual process enables her to design her stencils.  SOULE’s "skillz are mad transferrable", from designing apparel, buttons/pins, shoes, skateboards to home decor.  She is indeed doing what she loves.

SOULE is praised for her stencil work, and she applies the medium or the process itself to all her oeuvres.  The series that she has worked on include famous people and friend portrait stencils spray painted on canvas and wood panels; porcelain white characters adorned in black and white stripes that are watercolors on clayboards; skull and skeleton stencils with army green, rich coppers, and reds; and Japanese inspired characters spay painted with bright colors.

Kim "SOULE" McCarthy completed her Fine Art and Design in Spokane, WA and Printmaking in Astoria, OR.  Due to her renegade self-promotion, four galleries represent her work in the United States and one in the United Kingdom.  She has recently exhibited her pieces as a solo exhibit at Doc’s Lounge, Behrd Studios, and Squid and Ink.  Her most recent group show was at Twilight Gallery, with member artist Brad Strain and Justin Hillgrove.  Her work is also featured in the book called, "Stencil Nation" that will be released on June 2008.  Fearless self-promotion is paying off, she is an inspiration to us all.

For more information on Kim’s work please visit her member site, http://www.brooklynartproject.com/profile/Soule5675, or her main website, soule5675.mosaicglobe.com/

Posted by Joyce Manalo, Brooklyn Art Project Blog Editor and founder of ArtForward.

Ian "Infinity" Farrell has been walking the streets of New York since the late 80s, leaving marks that represent an indeterminable end and beginning.  With orange oil sticks in hand, he laces mundane corners of building facades with symbols and equations.  He is a loose mad scientist who absolves existing layers of stencil, wheat paste, spray paint imagery and street typography to their mathematical derivatives and chemical compositions.  Black background canvases, radiating lines and primitive symbols, reminiscent of Keith Haring, contributes to a consistent execution of absolute simplification.

From graph paper to streets to canvases to installations, Ian "Infinity" Farrell’s semiotics communicates warnings of forces that lurk, forthcoming circumstances, and metaphysical catalysts.  His expressive lines around infinity symbols, tridents, carbon rings and teardrops emits energy and unsettling ripples and tremors.  There is a physiological effect of viewing his work, similar to going to a death metal concert.  His choice of flourescent orange intensifies this reaction visually.  He blesses his imagery with commanding words of reverberating inquiries on purpose of existence.  Diagrammatic poetry ad infinitum.

Ian "Infinity" Farrell currently resides in the East Village, NY.  This artist graduated from The School of Visual Arts for Illustration and from University of Wisconsin (River Falls) with a BA in Literature and Fine Art.  He had a solo show titled "Heavenly Revolutions: A Resonance of the Rocks and Stars" at The Academy, Remsenburg, Long Island, NY.  Infinity is a proud member of the Endless Love Crew (Abe Lincoln Jr., Anera, Celso, Flaca, Gore-B, Meeka, Royce Bannon, Splat).  They collaborated in a piece that is currently exhibited at ADHOC ART in a show curated by Michael DeFeo called, "Behind The Seen".  Here are the details for Infinity’s next show:

Infinity: going out of business
Saturday, December 15th, 2007 (and by appointment)
Reception: 7-10pm

THE GARAGE
GALLERY
291 8th Street, ground floor (b. 5th & 6th Ave.)
Park Slope, Brooklyn
718-768-1235
M:  F train to 4th Ave or M/R to 9th street.

Posted by Joyce Manalo, Brooklyn Art Project Blog Editor and founder of ArtForward.

Brooklyn Art Project member artist Brad Strain is based in Seattle since 2002, a Kiwi, hailing from the cultural capital in Australia, beautiful Melbourne.  Splendidly, he’s a self-taught painter with a strong photography and film background.  His latest "Home" series is both playful and dejected, in that it stirs childhood dreams of treehouses, and various adult provocations of "building a nest". The theme of moving from city to city reverberates throughout each piece with pairs of wing appendages on houses.  The image above is titled, "State of Grace", 2007 (24" x 24"), Most recently, he has used Polaroids as his canvas, below is "Polaroid-Mix 1".  They are very interesting as it showcases, Brad’s mastery in perspective and mixed media.

The medium combination is street inspired, spray paint, latex paint, paint pen, and sharpies on panel.  He paints houses with wings in the sky, forcing the viewer perceive the subject matter looking upward, figuratively pointing at it.  Nuances are sweet and strong, like the coffee he loves to consume.

Brad Strain is painting his ass off, thank you caffeine for being the catalyst to powering artistic energy and aid in visibility.  His pieces are being exhibited in Hotwire, Verite, and Bird on a Wire in Seattle.  Whino Gallery has also taken interest in Brad’s body of work in Washington, DC.

FRESH IN: Tomorrow night, Brad, Kim McCarthy (active BAP member), and Justin Hillgrove are in a group show called, "Twilight in the Junction" at Twilight Artist Collective’s new space in Pike Place Market, Level 3, Suite 321, Seattle, WA.

To find out more about the artist’s paintings and new works, please visit his BAP member site or www.scaredofgenre.com

Posted by Joyce Manalo, Brooklyn Art Project Blog Editor and founder of ArtForward.

Historically, it was one of the three cities whose approval was needed
to create the City of Greater New York. Long Island City was once home
to several large factories and mass bakeries and still is the home to
the largest fortune cookie factory in the United States.  F. Scott Fitzgerald’s account of Queens was evident in his book, "The Great Gatsby".  He wrote, "this is a valley of ashes—a fantastic farm where ashes grow like
wheat into ridges and hills and grotesque gardens; where ashes take the
forms of houses and chimneys and rising smoke and, finally, with a
transcendent effort, of men who move dimly and already crumbling
through the powdery air".

Flux Factory, located in Long Island City has organized a show called, "NY, NY, NY, So nice we named it thrice".  There are over 100 artists that have participated.  Joel Morrison and Hiroshi Shafer are included in this group and they created a piece called, "If You Blow Me, I’m Gonna Take Off".  Joel Morrison and Hiroshi Shafer both walked the desolate streets to and from the N,R train in Long Island City, Queens.  These two artists individually and collaboratively produced works that takes you to the death tower of Citigroup in Long Island City and the space between the low buildings that it attempted to conquer.  This collaborative effort is a combination of collage, sculpture, photography and installation.

Hiroshi Shafer is a sculptor with a strong architectural background.  He created small kinetic devices for respiratory crevices–nose and mouth.  These small wonders are made of fine spiral wires with a paper propeller at its ends; minute replicas of the unembellished wind spinners.  The propeller moves with every breath of inhale and exhale.  The photographs are a double exposure of different women wearing these devices in their noses amidst locally recognizable locations in Queens.  This atmosphere is made up of exhaust from car repair shops, dirty electricity, factory waste, and chemical byproducts.

Joel Morrison’s work is a balance of collage, painting and sculpture.  He created a replica of the Citigroup Building using elements aforementioned, and the installation is suspended in an "up, up and away" position.  This building was completed in 1990, which allowed it to be the tallest building outside of Manhattan, with 50 stories.  The idea was to bolster a
business district that would create a real neighborhood with low crime, clean streets, good schools and affordable residential real estate.  Until now, there has not been the change that big business hoped for.  People are still on the periphery of the structure’s symbolic virility.

The collaboration of both artists is an illustration of merging competitive advantages.  Idea exchange and the "two minds are better than one" principle is an challenging exercise in ego management.  The give and take of defining the title, borrowing and lending expensive tools and discourse on artistic capabilities and sensibilities leads to a creation of value.   Shamim M. Monin states, "keeping the mission on track and genuine while remaining open to new relationships and business models can offer innovative platforms more adaptive to the character of art as it is being produced".  Joel Morrison and Hiroshi Shafer’s piece, "If You Blow Me, I’m Gonna Take Off" flies its audience over the East River and presents the "queendom" that never was.

Joel Morrison graduated with a Fine Arts Degree in Painting and a BA in Psychology at University of Iowa.  He recently showed his work at 2007 Conflux Festival (street installation), Just Another 3704558 (Asshole); CSV Gallery, Lets Bolt; and Rare Gallery, Seed Project.  If you would like more information please visit his website:  www.joelmorrison.com

Hiroshi Shafer graduated from Tokyo Zoukei Art University as a Sculpture major and Bunka Gakuin, Tokyo with an Architecture major.  Some of the group shows he’s participated in this year include, INTO ORBITING REVOLUTIONS @ Grace Exhibition Space, Wunderkammer @ The Institute for Psychoanalytic Training and Research, and Grizzly Proof @ Flux Factory.  If you would like more information please visit his website:  www.hiroshi-shafer.com

NYNYNY
So Nice We Named it Thrice
Curated by Jean Barberis, Melanie Cohn, and Chen Tamir. Original concept by Jean Barberis.
at the Flux Factory
December 14, 2007 – January 2008
Opening, Friday Dec. 14th, 2007 – 7pm
Gallery hours: Fridays – Sundays, 1-5pm. Closed Dec. 23rd and 30th.

"New York, New York, New York is an interactive, multimedia installation. It is a continuation of Flux Factory’s interest in urban landscapes and takes inspiration from the Panorama, Robert Moses’ scale model of New York City in the Queens Museum of Art. Members of the Flux Factory art collective will work in collaboration with over 100 artists from all five boroughs and around the world to re-imagine the public and private spaces of New York".

PARTICIPATING ARTISTS:

Boris Achour, Sandy Amerio, Carla Aspenberg, Leah Beeferman, Dominique Blais, Lise Brenner/Uli Lorimer/Katrina Simon, Adam Brent, Adam David Brown, Jason David Brown, Ben Bunch, Paul Burn, Ian Burns, Matthew Callinan, Anibal Catalan, Emmy Catedral/Valerie Opielski, Andrea Christens/ Takashi Horisaki, Emily Clark, Cluster8 (Parsons the New School for Design), Lewis Colburn, Daupo, Johannes De Young, Andrea Dezsö, Brandan Doty, Thomas Doyle, Kerry Downey/Alan Resnick, Ecole Nationale Supérieure d’Architecture de Montpelier, Gregor Eldarb, Stephane Gilot, Tamara Gubernat, Ira Joel Haber, Aya Kakeda, Devrim Kadirbeyoglu, Israel Kandarian, Stephanie Koenig, Miwa Koizumi, Yunmee Kyong, Katerina Lanfranco, Maria Levitsky, Matt Levy, Ellen Lindner, Katja Loher, Marie Lorenz/Douglas Paulson, Molly Lowe, Marian Macken, Mapping it Out (Eugene Lang College/The New School for Liberal Arts), Evie McKenna, Mary-Anne McTrowe, Greg Martin, Simone Meltesen, Ian Montgomery, Kirsten Mosher, Martina Mrongovius, Joel Morrison/Hiroshi Shafer, Heidi Neilson, Jo Q. Nelson, Rashaad Newsome, Lothar Osterburg, Miguel Palma, Gail Pickett, Bridget Parris, Bruno Persat, Annie Reichert, Leonora Retsas, Renée Ridgway, Jaimie Robson/Kristal Stevenot, Karl Saliter, Jon Sasaki, Jean Shin, Mike Peter Smith, Soft City (Rose Bianchini, Sarah Couture McPhail, Yvonne Ng, Catherine Stinson, Jason van Horne), Claudia Sohrens, George Spencer, Joel Braden Stoehr, Etosha Terryll, Nick Tobier, Joseph Craig Tompkins, Momoyo Torimitsu,Christopher Ulivo, Gabriela Vainsencher, Jason Van Horne, Vydavy Sindikat/Anytime Development, Lee Walton, Barbara Westermann, Lauren Wilcox, and Ian Wojtowicz.

DIRECTIONS:

Take the Queens bound V, R or G train to 36th St ( WARNING G train has
not been going all the way through to 36st so please transfer to the 7
train at Court Square refer to 7 train directions below) (take the 36th
St. exit, not the 34th St. one). Walk east on Northern Blvd (away from
Manhattan) past Hess gas station and turn right on corner of Pathmark
(42nd Place). Road curves a bit to the left (where it turns into 43rd
Street w/o informing you). Flux Factory is on right beside Midtown
Express (and often hidden behind Midtown Express trucks). #38-38. Look
for our sign above the door!

N & W trains to 36th Ave and walk south on 36th Ave (HINT: The
Dunkin’ Donuts is on the SW corner). Walk until you hit Northern Blvd
(10 blocks). Left on Northern Blvd and turn right on corner of Pathmark
(42nd Place). Road curves a bit to the left (where it turns into 43rd
Street w/o informing you). Flux Factory is on right beside Midtown
Express (and often hidden behind Midtown Express trucks). #38-38. Look
for our sign above the door!

Behind the Seen
a group exhibition curated by Michael De Feo
at AD HOC ART
December 13th, 2007 through January 20th, 2008
Opening Reception: December 13th, 7pm-9pm

A collection of artists and artist collectives, all who highly regard the street as their canvas fiercely decontextualized on the basis of medium.

FROM AD HOC ART:

Assembling a group of well known street artists from around the world, De Feo invited the participants to showcase work they’re not typically recognized for. Behind the Seen includes personal projects, works in different mediums or styles and pieces not necessarily intended for view on the streets. The mediums include paintings, drawings, photographs and sculptures by over 30 artists from around the world.

Street artists develop a level of notoriety for their originality, talent and frequency of a style or visual vocabulary.    Like most successful artists, they don’t limit their creative endeavors to what they’re known for.

Behind the Seen goes beyond the familiar to build upon what we already know… providing connections, challenges and insights to other facets of the artist’s oeuvre.

Participating artists include:

Aiko, Blek le Rat, Caleb Neelon, Dan Witz, Don Leicht, Elbow Toe, ELC, Ellis G., Eltono, Flying Fortress, G, Ian Stevenson, Jace, Jean Faucheur, jm rizzi, John Fekner, Judith Supine, Keith Haring, Lady Pink, L’Atlas, Lee Quiñones, Leon Reid, Lister, Mark Jenkins, Martha Cooper, Maya Hayuk, Michael De Feo, Momo, Nuria, Peripheral MediaProjets, Richard Hambleton, Ripo, Ron English, Shepard Fairey, She Kills He, Skewville, Swoon, Thundercut, Tofer

AD HOC Art
49 Bogart Street
Buzzer 22, Unit 1G
Brooklyn, NY 11206
Tel: 718.366.2466
Fax: 866.599.7270
Website:  http://adhocart.org
Online:

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Posted by Joyce Manalo, Brooklyn Art Project Blog Editor and founder of ArtForward. 

If the first 1000 are the hardest, then BrooklynArtProject.com member 0H10M1ke should have it pretty easy for a while. He recently completed 1000 drawings in 365 days, most of which will be on display as projected images accompanied by an installation of hundreds of originals in collage form
at Artland starting on December 14th from 5-9pm. The show continues through January 10th.

Artland // 609 Grand St at L0r1mer // W1ll1amsburg, Br00klyn.

DIRECTIONS: L Train to Lorimer. Exit Lorimer St. Walk south 5 blocks.
Turn left on Grand. 609 Grand… or just follow the matchbooks…

You can check out more of 0H10M1ke’s illustrations at www.flickr.com/photos/art0h10m1ke      

2007 holds the count for 22 satellite art fairs that are taking place in addition to Art Basel Miami Beach.  Sensory overload is a luxury.  Art fairs certainly provides an insight to trends in painting, drawing, installation, sculpture, installation, photography, video and performance.  In addition to trends in mediums, it also allows you to see art from a multitude of cities around the world.  An absolute treat!

Some of the trends in medium were intricate ink and graphite drawings, flashe paint, animation, collage, cutouts.  In terms of sculpture, porcelain, taxidermy, felt and found objects.  Some booths were also dedicated to a single artist.  This year, the galleries really stepped up and presented very well curated open cubes.

Aqua Art Miami – Hotel is located at 1530 Collins Avenue.  (Aqua Art Miami – Wynwood inaugural is located at 42 NE 25th Street-not covered below)  Here are a couple of highlights:

Alexander Heaton @ Lounge/Monika Bobinska
"Rifflesee", Oil on linen, 64" x 56"

Charles Kraaft @ Roq La Rue
"Assasin’s Kit Series" (Smith & Wesson and Switchblade), 2007, Delft hand-painted porcelain, life sized, comes in black velvet lined case

Travis Louie @ Roq La Rue
"Walter and Larry", Acrylic on board, 8" x10"

Jason d’Aquino @ Roq La Rue
"Phineas Gage", 2007, Graphite on matchbook, 3" x 1"

Micaela O’Herlihy @ Hotcakes

Various works of wallnut ink on wooden logs, 7" x 5"

Meredith Dittmar @ Hotcakes Gallery
"Let it through ", 2007, Polymer Clay, plexiglas & laminate, 16.5" x 10"

Michael Caines @ Katharine Mulherin
"El Dorado (ravens/bunny/cowboy)", 2007, Ink and gouache on paper, 22" x 30"

Chris Knight @ Katharine Mulherin
"When a mother wants a daughter but gets a son", 2007, Oil on prepared paper, 7" x 5"

Christy Langer @ Katharine Mulherin
"Double Bunny", 2007, Resin, fibreglass, oil paint, 3" x 9" x 2.5", Edition of 3

Laura Ball @ Morgan Lehman
"The Circumnavigating Chariot Caravan", 2007, Oil on canvas 40" x 30"

William Powhida @ Platform Gallery
"James Drawing: Goals", 2006, Graphite and goauche on paper, 22" x 15" (not exhibited)

Debbie Lawsen @ Nettie Horn
"Oasis", carpet, 62" x 85" x 15"

Kate Street @ Nettie Horn
"Ring Piece" (From Little Death Series), 21" diameter x 4" deep

Elaine Bradford @ Art Palace
"Mongolian Knotted Deer", 2007, Taxidermy Mongolian deer and crochet(not exhibited)

Jonathan Marshall @ Art Palace
The Book of Lenny, 2007, DVD, 7 mins

Máximo González @ Haydee Rovirosa
Multiple paper cutout on walls with various world currency that are out of circulation

Posted by Joyce Manalo, Brooklyn Art Project Blog Editor and founder of ArtForward.  Please contact me, if you would like to receive ArtFWD-Quarterly Newsletter (December 2007-Miami Satellite Fair in Depth)

2007 holds the count for 22 satellite art fairs that are taking placein
addition to Art Basel Miami Beach.  Sensory overload is a luxury.  Art
fairs certainly provides an insight to trends in painting, drawing,
installation, sculpture, installation, photography, video and
performance.  In addition to trends in mediums, it also allows you to
see art from a multitude of cities around the world.  An absolute
treat! 

Some of the trends in medium were intricate ink and graphite
drawings, flashe paint, animation, collage, cutouts.  In terms of
sculpture, porcelain, taxidermy, felt and found objects.  Some booths
were also dedicated to a single artist.  This year, the galleries
really stepped up and presented very well curated open cubes.

SCOPE is located at Roberto Clemente Park, 101 NW 34th St.  Here are a couple of highlights:

Boris Hoppek @ Helium Cowboy Artspace
Various works on paper and plush toys, and installation at SCOPE entrance

Mike Swaney @ Iguapop Gallery
Various collage and sculpture

Moritz Schleime, Christrian Achenbach @ WENDT + FRIEDMAN
Oil on canvas, Various drawings (34 pieces)

Dan Baldwin @ Forster
Title not available, Mixed Media, 27.5" x 27.5"

Ted Tucker @ Christopher Cutts Gallery
"The Oath of Beeratio", 2007, Oil and acrylic on canvas 36" x 36" in

Pepe Lopez @ Hardcore Art Contemporary Space
Found objects from Miami on shopping cart installation, dimensions not available

Hiroyuki Matsuura, Showichi Kaneda @ Tokyo Gallery + BT
Acrylic on canvas, 36"x36" / Acrylic lacquer and decals on FRP, 25.5" x 14" x 12"

Thorsten Brinkmann @ KUNSTAGENTEN
(Self)Portraits of a Serialsammler, C-Prints, Various sizes (full booth installation)

Ling Jian @ Galerie Volker Diehl/Diehl Projects
"Communist Sisters-Tear of Idealism", 2007, Oil on canvas, 30" x 46"

Jose Legaspi @ The Drawing Room Gallery
Untitled, Pastel on paper, 39" x 27.5" (3 pieces exhibited)

Daniel Alcala @ Arroniz Arte
Various titles, Paper cutouts, Various sizes (full booth exhibition)

Kate Clark @ 33 Bond Gallery
"Well, well", 2007 Mounted Hyenas, Clay, Thread, Pins, Rubber Eyes, 42" x 42" x 38"

Ryan Brennan @ Witan Projects
Various titles, Assemblage found objects, various dimensions, video

Posted by Joyce Manalo, Brooklyn Art Project Blog Editor and founder of ArtForward.  Please contact me, if you would like to receive ArtFWD-Quarterly Newsletter (December 2007-Miami Satellite Fair in Depth)

2007 holds the count for 22 satellite art fairs that are taking place in
addition to Art Basel Miami Beach.  Sensory overload is a luxury.  Art
fairs certainly provides an insight to trends in painting, drawing,
installation, sculpture, installation, photography, video and
performance.  In addition to trends in mediums, it also allows you to
see art from a multitude of cities around the world.  An absolute
treat! 

Some of the trends in medium were intricate ink and graphite
drawings, flashe paint, animation, collage, cutouts.  In terms of
sculpture, porcelain, taxidermy, felt and found objects.  Some booths
were also dedicated to a single artist.  This year, the galleries
really stepped up and presented very well curated open cubes.

PULSE is located at 2136 NW 1st Avenue.  Here are a couple of highlights:

David Herbert @ Postmasters Gallery
"Beautiful Superman" , 2007, Mixed media sculpture, wood, styrofoam, fabric, plexiglas, paint, 144" x 30" x 14"

Kristin Lucas @ Postmasters Gallery
"Breakout", 2007, Digital print on backlit film, lightbox, 36" x 36"

   
John Rappleye @ Jeff Bailey Gallery
"Guardian", 2007, Cast vitreous china, ed. 9, 17.75" x 20" x 12"

Ma Jun @ Galerie Michael Schultz
"TV", 2007, Acrylic on wood, dimensions unavailable (transported in 3 pieces)

Edwina White @ Kinz, Tillou + Feigen
"Marie, Antoinette", 2007, Pencil, ink, gouache and collage on paper 11" x 15" (9 pieces exhibited)

Royal Art Lodge @ Perugi Artecontemporanea Gallery
Mixed media on wood

Erik Sandberg @ Conner Contemporary
"Courage", 2006, Oil on panel, 84" x 36" (not exhibited)

ASGAR/GABRIEL @ Galerie Ernst Hilger/ Hilger contemporary
"Blue Yonder"+ "Marble Heart", 2007, Oil on canvas, 87" x 52"

David Hevel @ Heather Marx Gallery
"Chinese Babies are Very Popular…Amongst Celebrities, that is", 2007, Deer taxidermy form & mixed media, 55" x 65" x 28" (not shown)

Posted by Joyce Manalo, Brooklyn Art Project Blog Editor and founder of ArtForward.  Please contact me, if you would like to receive ArtFWD-Quarterly Newsletter (December 2007-Miami Satellite Fair in Depth)

2007 holds the count for 22 satellite art fairs that are taking place addition to Art Basel Miami Beach.  Sensory overload is a luxury.  Art fairs certainly provides an insight to trends in painting, drawing, installation, sculpture, installation, photography, video and performance.  In addition to trends in mediums, it also allows you to see art from a multitude of cities around the world.  An absolute treat! 

Some of the trends in medium were intricate ink and graphite drawings, flashe paint, animation, collage, cutouts.  In terms of sculpture, porcelain, taxidermy, felt and found objects.  Some booths were also dedicated to a single artist.  This year, the galleries really stepped up and presented very well curated open cubes.

New Art Dealers Alliance (NADA) was located at the Ice Palace, 1400 North Miami Avenue.  Here are a couple of highlights:

James Benjamin Franklin @ Clementine Gallery
"No Laughing Matter", 2007, Flashe, resin on canvas, 14" x 11"

Kamrooz Aram @ Oliver Kamm 5BE Gallery
From series Revolutionary Dreams, Ink and graphite on paper, 15 1/4" x 13" inches (not exhibited)

Helen Verhoeven @ Wallspace
"The Walking", 2007, Oil on canvas, 72" x 110"

Ben Peterson @ Ratio 3
"Work From Home", 2007, Ink and graphite on paper, 48" x 83" (shown above)
"Timezone", 2007, Ink and graphite on paper, 53" x 96" (exhibited work in booth)

Jen Ray @ Galerie Jan Wentrup
Untitled (Women with Flags), 2007, Ink and watercolor on paper, 47 1/4" x 62"

Kota Ezawa @ Murray Guy
"Dead Troops", 2007, C-Print of paper cutout, 20" x 40"

Daphne Fitzpatrick & Adam Cvijanovic @ Bellwether
Fitzpatrick – Untitled, 2007, Wood, glass, installation
Cvijanovic – "Garden State", 2007, Flashe on tyvek

Matthew Day Jackson @ Ballroom Marfa
Installation based on an Albert Bierstadt western scene

Ivan Witenstein @ Derek Eller Gallery
Blakexploitation (#26), 2007, Watercolor and graphite on paper, 30" x 22" (28 pieces arranged 4 x 7, sold separately)

Posted by Joyce Manalo, Brooklyn Art Project Blog Editor and founder of ArtForward.  Please contact me, if you would like to receive ArtFWD-Quarterly Newsletter (December 2007-Miami Satellite Fair in Depth)